1. What does O’Shaughnessy mean by “spiritualizing” bodily action? How, initially (i.e. section 1), how this present a problem?
“Spiritualizing” bodily actions means to define bodily actions exclusively by the mental phenomena that precede the bodily manifestations of such actions, and ignore the physical aspect of action. When one spiritualizes bodily actions, the problems and confusion inherent in speaking of “willing beyond the confines of the body” disappear. Of course, someone who spiritualizes bodily actions is not likely to view extra-bodily willing as especially confusing or mysterious, so O’Shaughnessy’s point has limited applicability.
θ1 – “I can do x” if no external forces prevent me from doing x and no external forces prevent me from doing x and I need no instrument to do x. θ2 – “I can do x” if no external forces prevent me from doing x and I need no instrument to do x. θ3 – “I can do x” if no external forces prevent me from doing x but I need an instrument to do x. θ1 is used for common cases of moving one’s arms and legs. θ2 might be used if one was temporarily unable to move one’s arms, because they were pinned to the ground, but otherwise, there were no impediments to movement. θ3 is used for instrumentally-willed cases, like turning off the TV with the remote.
But he also accepts (IF(θ2 + ?), THEN θ1). What goes in the place of “?” to make a principle that O’Shaughnessy accepts?
If we rewrite the phrases above as logical statements, then O’Shaughnessy’s claims can be seen clearly. “I can do” = Do(x). “No external forces prevent me from doing” = ~External(x). “I need no instrument to do” = ~Instrument(x). So, θ1 is ~Instrument(x) ^ ~External(x) ^ (~External(x) à Do(x)). θ2 is ~Instrument(x) ^ (~External(x) à Do(x)). The difference between these two is that θ1 includes the term ~External(x) in its conjunction. Thus, to be able to conclude θ1 from θ2, one just needs to conjoin ~External(x) to θ2. In O’Shaughnessy’s words, ~External(x) is “liberty does prevail”.
First of all, “just by willing” indicates that the willing is non-instrumental in nature. Non-instrumentally willing the Sun to move is a very strange idea. However, I think it would involve A) desiring that the Sun move in a certain direction; B) the willed direction cannot be the direction the Sun is currently moving; C) intending the Sun to move in the desired direction; D) the Sun moving in the intended direction; E) the agent feeling as though he were responsible for the movement of the Sun; and F) there be some sort of causal connection between the intention of the agent and the movement of the Sun.
Instrumental tryings are type θ3, while “model” tryings are type θ2. The difference between them is that type θ2 tryings do not involve any instruments, but type θ3 tryings do. Since θ23), but not non-instrumentally, for we lack a direct causal connection to the movement of extra-bodily objects. tryings do not involve any instruments, when one is asked, in the “model” sense, to will the movement of an extra-bodily object (like the Sun), one is bewildered. We can imagine moving the Sun instrumentally (θ
The intension of a term x is the definition of x, and the extension of x is the set of all objects that are x’s. The differences between intensions and extensions are numerous: epistemological (we can know one without knowing the other), extensions are sets of objects, while intensions make no reference to objects. Intensions are propositions, and extensions are not. The view that intensions determine extensions is the view that, once one knows the intension of a term, one can deduce the extension of the term.
Actions are mental phenomena, directed beyond the mental. Thus, the object of an action must be conceived in the mind. The subject is aware of what he is acting upon, according to some description he gives. There is a unity of intention and willing in the mind of the subject. These “instrumental actions” are sequential causes, i.e. limb movement à e1 à e2. Given the unity of intention within the subject’s mind, only one of the three events can be the action. The preference is then given for the limb movement to be the action, because conceptual space is needed for the cases of extra-bodily willing, whereby the subject sends out psychic waves of some sort and directly causes e2, without using limb movements.
Nominalism is the belief that there are no Platonic abstract types in the ontology of the universe. Thus, a nominalist would believe that there are instances of willing, but no abstract “willing” object above and beyond those instances.
Although there are a multiplicity of methods of killing, just as there are many ways to die, they all fall under the heading of being instrumentally willed when willed. Clearly, any killing of another person would be instrumental, as one would have to move one’s body in some way to kill another. Even one’s own death would be necessarily instrumental. If one wished to commit suicide, then one would have decide on a cause of death. One could not just will to be dead, and Boom! be dead. However, one can just will to raise one’s arm and Boom! one’s arm is raised (in at least some cases).
There are at least two ways to classify knowings. Each way separates knowings into two camps. The first separation is between explicable and inexplicable. This separation refers to the idea of some “just knowings” are, although unknown to the actor, theoretically explainable. Occult knowings are inexplicable: no rational, scientific explanation exists for such knowings. The first separation is between opaque and transparent. O’Shaughnessy, frustratingly, never discusses what he means by these metaphorical terms. However, they do seem connected to the previous distinction. Transparent knowings seem to mean that although the actor doesn’t know what explains his knowing (a depth nature of sorts), he can point to the markers that allow him to know. Opaque knowings lack markers of this sort: they are just known.
Aesthetic usually means “relating to the beautiful” or “beautiful”. However, in this case, it appears to have a completely different meaning. O’Shaughnessy is using the archaic meaning of aesthetic: “sensation” or “feeling”. (Ref: Dictionary.com)
The objectionable part of the rubber-hand case is the lack of any sensible mechanism connecting the willing to the rubber hand. From what we know of the human nervous system, it could not act upon rubber.
12. The objectionable part of the rubber-hand case is the lack of any sensible mechanism connecting the willing to the rubber hand. From what we know of the human nervous system, it could not act upon rubber.